2009 台北金馬影展 Taipei Golden Horse Film Festival

比利時視覺藝術家尤漢格林蒙普雷茲，藉由名導演希區考克為文本，創造出分身與本尊之間虛構的嘲諷情節，探討媒體對歷史的操作手法。希區考克成為歷史的一面鏡子，反映出本身與冷戰時期的連結，而分身隨著導演命令試圖取代真正的本尊，而將「真／假」融合於「虛／實」當中。本片是導演對視覺媒體的批判，也是他對希區考克的不斷追尋。

Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using "The Birds" as an essential metaphor, Double Take traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day.